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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">religiosa</journal-id><journal-title-group><journal-title xml:lang="ru">Studia Religiosa Rossica: научный журнал о религии</journal-title><trans-title-group xml:lang="en"><trans-title>Studia Religiosa Rossica: Russian Journal of Religion</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2658-4158</issn><publisher><publisher-name>РГГУ</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2658-4158-2024-2-12-41</article-id><article-id custom-type="elpub" pub-id-type="custom">religiosa-302</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>Papers</subject></subj-group></article-categories><title-group><article-title>Антропонимика в Passio Perpetuae et Felicitatis: имена и анонимы, имена-субституты и имена-табу</article-title><trans-title-group xml:lang="en"><trans-title>Anthroponymy in Passio Perpetuae et Felicitatis: names and anonyms, substitute names and taboo names</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Брагинская</surname><given-names>Н. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Braginskaya</surname><given-names>N. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Нина В. Брагинская, доктор исторических наук, профессор</p><p>125047; Миусская пл., д. 6; Москва</p></bio><bio xml:lang="en"><p>Nina V. Braginskaya, Dr. of Sci. (History), professor</p><p>125047; 6, Miusskaya Sq.; Moscow</p></bio><email xlink:type="simple">1satissuperque@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Российский государственный гуманитарный университет<country>Россия</country></aff><aff xml:lang="en">Russian State University for the Humanities<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>28</day><month>05</month><year>2024</year></pub-date><volume>0</volume><issue>2</issue><fpage>12</fpage><lpage>41</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Брагинская Н.В., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Брагинская Н.В.</copyright-holder><copyright-holder xml:lang="en">Braginskaya N.V.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://srr.rsuh.ru/jour/article/view/302">https://srr.rsuh.ru/jour/article/view/302</self-uri><abstract><p>   В Passio Perpetuae et Felicitatis одни персонажи называются по имени, другие заместительными именами или описательно, третьи только по функции, должности или родству. В статье исследуются имена в их социальном аспекте: что они говорят или могут говорить об их обладателе; кроме того, предполагаемое восприятие имен анонимным Рассказчиком, который в целом придает событиям мученичества наряду с «историческим» символический смысл, а самым обычным именам – провиденциальное звучание. Особое внимание уделено имени «Перпетуя». Оно впервые поставлено в связь с существованием в Карфагене рубежа II–III вв. семейства высокопоставленных государственных деятелей Перпетуев, востребованных Септимием Севером, императором африканского происхождения. Высказана гипотеза, что «Перпетуя» – гамонимик, когномен, полученный от мужа, умолчание о котором заставляет гадать о причинах этого. Уточняется гипотеза о разводе Перпетуи с мужем, основанная на положении его семьи при императоре. Автор исходит из того, что в “Passio” читатель имеет дело с документальной книгой, состоящей из текстов пяти авторов. При анализе того, кто из создателей всех входящих в “Passio” частей кого и как именует или оставляет без имени, автор статьи обнаруживает как особенности выбора для именования в отдельных частях (так, в Прологе и Эпилоге упоминаются только ипостаси Троицы, а Редактор-Составитель “Passio” называет только имена мучеников), так и общую для них «стратегию» называть персон, причастных полюсам сакрального: полюсу скверны (диавол, Египтянин, судья-проконсул Гилариан, языческие божества Сатурн и Церера) и полюсу святости (Святой Дух, Господь, Иисус Христос, Бог и их заместительные имена: Ланиста, Помпоний, а также мученики и клирики как в земной жизни, так и ином мире; к душам мучеников примыкает покойный младший брат Перпетуи Динократ, которого Перпетуя вымолила у ада). Остальные описываются по функции. За исключением мучеников Перпетуи и Сатура, авторы остальных частей “Passio” в соответствии с этой стратегией остаются безымянными. Но из всех групп выпадает катехумен Рустик, находившийся во время звероборства непосредственно на арене и поддерживавший Перпетую. Это подкрепляет высказанную ранее мысль о том, что Рустик – не мученик и не клирик – это сфрагида автора описания, который ввел свое имя, так сказать, «контрабандой».</p></abstract><trans-abstract xml:lang="en"><p>   In Passio Perpetuae et Felicitatis, some characters are referred to by their names, others by substitute names or descriptively, others only by function, office or kinship etc. The article explores names in their social aspect: what they say or can say us about their bearers, and the presumed perception of names by the anonymous Narrator, who generally gives the events a symbolic meaning, and imbues the common names with a providential sound. Special attention is paid to the name “Perpetua”. The name is put in connection with the Carthaginian family of high-ranking statesmen Perpetui, who at the turn of the 2nd – 3nd centuries, who were close to Septimius Severus, the emperor of African origin. It is hypothesised that “Perpetua” is a gamonym, a cognomen received from her husband, whose reticence keeps us guessing as to its causes. The hypothesis of Perpetua’s divorce from her husband is clarified, if one takes into accout his position as a member of family close to the emperor, which is incompatible with matrimony with a Christian woman. The author assumes that in “Passio” the reader is dealing with a documentary book consisting of texts by five authors. When analysing whom and how and which of the five names or leaves characters unnamed, the author of the article reveals both the peculiarities of the name choice in the individual parts (for example, in the Prologue and Epilogue only the hypostases of the Trinity are mentioned, while the Editor-Compiler gives only the names of the martyrs). And the common “strategy” of naming persons involved in the poles of the sacred: the pole of profanity (the devil, the Egyptian, the judge-consul Hilarian, the pagan deities Saturn and Ceres) and the pole of abomination (the Holy Spirit, the Lord, Jesus Christ, God, and their substitute names: Lanista, Pomponius, as well as martyrs and clerics both in mortal life and in the other world, the souls of the martyrs (late younger brother Dinocrates, whom Perpetua begged from hell). The others are described by function. With the exception of the martyrs Perpetua and Saturus, the authors of the rest of the Passio remain nameless according to this strategy. But the catechumen Rusticus, who was directly in the arena during the bestiality and who supported Perpetua, falls out of all groups. This reinforces the earlier published idea that Rusticus is the author of the description, who introduced his name by “smuggling” sphragis.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Passio Perpetuae</kwd><kwd>антропонимика</kwd><kwd>символика имен</kwd><kwd>имена-субституты</kwd><kwd>анонимы</kwd><kwd>стратегия именования</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Passio Perpetuae</kwd><kwd>anthroponymics</kwd><kwd>name symbolism</kwd><kwd>substitute names</kwd><kwd>anonyms</kwd><kwd>naming strategy</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Брагинская 2021 – Брагинская Н.В. «Деревья были высотой с кипарис, а их листва непрерывно опадала» // Człowiek jako znak / Man as a Sign: Tom jubileuszowy dla uczczenia 70-lecia prof. dr. hab. Zbigniewa Klocha / Red. nauk E. Rudnicka et al. Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2021. 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