religiosaStudia Religiosa Rossica: научный журнал о религииStudia Religiosa Rossica: Russian Journal of Religion2658-4158РГГУ10.28995/2658-4158-2023-3-18-37religiosa-241Research ArticleБиблейские темы в храмовой декорацииBiblical Themes in Temple DecorationsОбразы райского сада в орнаментальной декорации церкви Сан-Витале в Равенне: к вопросу о влияниях и образцахImages of the Garden of Eden in the ornamental decoration of the Church of San Vitale in Ravenna: on the question of influences and modelsХрипковаЕ. А.KhripkovaE. A.

Елена А. Хрипкова, кандидат искусствоведения, доцент

125047 Москва, Миусская пл., д. 6

Elena A. Khripkova, Cand. of Sci. (Art Studies), associate professor

 6, Miusskaya Sq., Moscow, Russia, 125047

elenasamary@gmail.comРоссийский государственный гуманитарный университетРоссияRussian State University for the HumanitiesRussian Federation202312092023031837Copyright © Хрипкова Е.А., 20232023Хрипкова Е.А.Khripkova E.A.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://srr.rsuh.ru/jour/article/view/241

В фокусе настоящего исследования находится орнаментальная мозаичная декорация церкви Сан-Витале в Равенне. В работе проведен анализ и сопоставление образов райского сада в пресбитерии церкви Сан-Витале с античными и раннехристианскими памятниками Аквилеи и Сицилии, выявлены иконографические и стилистические параллели, что позволило обогатить и конкретизировать существующие представления о возможных образцах и влияниях различных художественных центров на создание монументальной декорации равеннских церквей.

The focus of this study is the ornamental mosaic decoration of the Church of San Vitale in Ravenna. The work analyzes and compares the images of the Garden of Eden in the presbytery of the Church of San Vitale with the ancient and early Christian monuments of Aquileia and Sicily, identifies iconographic and stylistic parallels, which allowed us to enrich and concretize existing ideas about possible patterns and influences of various art centers on the creation of monumental decorations of Ravenna churches.

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The authors declare that there are no conflicts of interest present.